DETAILS, FICTION AND SOUNDTRACK OUD

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I could write with regards to the way Martin Scorsese leans on the heaping of music from nineteen sixties Female groups—the Crystals, the Shangri-Las, the Ronettes, Darlene Adore—in Goodfellas as a way to distinction a feminine innocence Along with the hyper-masculine violence of his movie’s people. I could go on and on with regard to the son